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Piscator (Euston Head)

Piscator (Euston Head)

1980
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Bronze portrait bust of George Daniels

Bronze portrait bust of George Daniels

1950-2000
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Cloud Atomic Laboratory

Cloud Atomic Laboratory

1971
Etchings, 'Cloud Atomic Laboratory' by Eduardo Paolozzi, published editions alecto 1971. Set of 8 photogravure etchings (16 images) edition 40/75, signed, in tissue and solander box. Commissioned by British Olivetti. "Science and fantasy in the technological world": pictures from 1952-1971 including robots, electrophysical laboratory, spacemen, dog and monkeys, X15 aircraft, and robotic wonder toy akin to `virtual reality' hat with radiation goggles. individual print: 53x35.5cm

Cloud Atomic Laboratory

1971
Colour screen-print, one of eight, entitled 'Alan Turing The Enigma', by Eduardo Paolozzi, England, 2000, in frame by Simon Beaugie Picture Frames Ltd., Ashford, Kent, England, 2000

Colour screen-print

2000
Colour screen-print, one of eight, entitled 'Controlling and Active Machinery', by Eduardo Paolozzi, England, 2000, in frame by Simon Beaugie Picture Frames Ltd., Ashford, Kent, England, 2000

Colour screen-print

2000
Colour screen-print, one of eight, entitled 'through (2 2a, 0) and y1 = 0, we obtain 2a3 2 = x1 (a2 + b2).', by Eduardo Paolozzi, England, 2000, in frame by Simon Beaugie Picture Frames Ltd., Ashford, Kent, England, 2000

Colour screen-print

2000
Colour screen-print, one of eight, entitled 'Art: Communicative or Esoteric', by Eduardo Paolozzi, England, 2000, in frame by Simon Beaugie Picture Frames Ltd., Ashford, Kent, England, 2000

Colour screen-print

2000
Colour screen-print, one of eight, entitled '“Jabberwocki” in Through the Looking Glass', by Eduardo Paolozzi, England, 2000, in frame by Simon Beaugie Picture Frames Ltd., Ashford, Kent, England, 2000

Colour screen-print

2000
Colour screen-print, one of eight, entitled 'A Bulldozer Continuous Active', by Eduardo Paolozzi, England, 2000, in frame by Simon Beaugie Picture Frames Ltd., Ashford, Kent, England, 2000

Colour screen-print

2000
One of a set of six prints in silkscreen and lithography, entitled “Z.E.E.P. (Zero Energy Experimental Pile)” by Eduardo Paolozzi, 1970. Edition 30/100, signed. Embodying images from electronics, anatomy, physics, computing, space technology, and the contemporary pop art scene. This print has three rows of four images, consisting of a creature eating a human, a strip of film, a vehicle’s control panel, and other images.

Z.E.E.P. (Zero Energy Experimental Pile)

1970
One of a set of six prints in silkscreen and lithography, entitled “Z.E.E.P. (Zero Energy Experimental Pile)” by Eduardo Paolozzi, 1970. Edition 30/100, signed. Embodying images from electronics, anatomy, physics, computing, space technology, and the contemporary pop art scene. This print features multiple rows of separate images, each image is accompanied by its own caption.

Z.E.E.P. (Zero Energy Experimental Pile)

1970
One of a set of six prints in silkscreen and lithography, entitled “Z.E.E.P. (Zero Energy Experimental Pile)” by Eduardo Paolozzi, 1970. Edition 30/100, signed. Embodying images from electronics, anatomy, physics, computing, space technology, and the contemporary pop art scene. This print features images of a leopard, a heart, children playing on a slide, and geometric designs in collage with other images.

Z.E.E.P. (Zero Energy Experimental Pile)

1970
One of a set of six prints in silkscreen and lithography, entitled “Z.E.E.P. (Zero Energy Experimental Pile)” by Eduardo Paolozzi, 1970. Edition 30/100, signed. Embodying images from electronics, anatomy, physics, computing, space technology, and the contemporary pop art scene. This print features a human brain, a heart, a satellite, a robot, and Marilyn Monroe in collage with other images.

Z.E.E.P. (Zero Energy Experimental Pile)

1970
Folding portfolio box with signed. Collages, 76x51cm, for Set of 6 prints in silkscreen and lithography, Z.E.E.P. (Zero Energy Experimental Pile) by Eduardo Paolozzi, 1970.

Z.E.E.P. (Zero Energy Experimental Pile)

1970
Set of 6 prints in silkscreen and lithography, Z.E.E.P. (Zero Energy Experimental Pile) by Eduardo Paolozzi, 1970. Edition 30/100, signed. Collages, 76x51cm. Embodying images from electronics, anatomy, physics, computing, space technology, and the contemporary pop art scene, frame: 86x60cm

Z.E.E.P. (Zero Energy Experimental Pile)

1970
One of a set of six prints in silkscreen and lithography, entitled “Z.E.E.P. (Zero Energy Experimental Pile)” by Eduardo Paolozzi, 1970. Edition 30/100, signed. Embodying images from electronics, anatomy, physics, computing, space technology, and the contemporary pop art scene. This print features images of a parrot, a rocket, and a sequence of irregular shapes in collage with other images.

Z.E.E.P. (Zero Energy Experimental Pile)

1970
One of a set of six prints in silkscreen and lithography, entitled “Z.E.E.P. (Zero Energy Experimental Pile)” by Eduardo Paolozzi, 1970. Edition 30/100, signed. Embodying images from electronics, anatomy, physics, computing, space technology, and the contemporary pop art scene. This print features images of aircraft carriers marked “E=MC2”, submarines, fighter planes, rockets, and soldiers in collage with other images.

Z.E.E.P. (Zero Energy Experimental Pile)

1970
Colour screen-print, one of eight, entitled 'or The locus of C is thus', by Eduardo Paolozzi, England, 2000, in frame by Simon Beaugie Picture Frames Ltd., Ashford, Kent, England, 2000

Colour screen-print

2000
Colour screen-print, one of eight, entitled 'The Relay Race', by Eduardo Paolozzi, England, 2000, in frame by Simon Beaugie Picture Frames Ltd., Ashford, Kent, England, 2000

Colour screen-print

2000
Set of 6 prints in silkscreen and lithography in folding portfoliio box, Z.E.E.P. (Zero Energy Experimental Pile) by Eduardo Paolozzi, 1970. Edition 30/100, signed. Collages, 76x51cm. Embodying images from electronics, anatomy, physics, computing, space technology, and the contemporary pop art scene, frame: 86x60cm

Z.E.E.P. set of prints in silkscreen and lithography

1970
Screenprint, B.A.S.H., by Eduardo Paolozzi, 1971. Artist's Proof, signed. 74x50cm. Embodying images from space technology, the periodic table, molecular models, anatomy of the heart, and plug/lead telephone switchboard, with robots and idols of the time, frame: 87x61.5cm

B.A.S.H.

1971
Print. The theory of relativity... by Eduardo Paolozzi, n.d. [1967]. - Edition 66/75. - Screenprint in colours, 92x60cm on wove paper, 102x68cm. - Signed and numbered in pencil, br. - Printed by Kelpra, published by Editions Alecto as no. 491; their stamps verso. - Caption in two lines of letterpress acknowledging physics and biology and social relativities, laterally here concerning relations of geometric forms, in horizontal and vertical bands, no pattern repeats

The theory of relativity ...

1967
Sculpture. Piscator (Euston Head) by Eduardo Paolozzi; Ray Watson, Maker. [1980-1990]. Resin on ply; height 7cm x length 11cm x width 4.5cm on ply base 0.6x12x5.5cm. Unsigned. Small scale 'popular' cast version of the larger Piscator open air sculpture commissioned for Euston Station, London.

Piscator (Euston Head)

1980-1990